GEAR SALE!

In anticipation of the birth of my daughter later this month, I've got several pieces of gear in need of a new home.

All prices include shipping and insurance within the United States. Outside the USA, shoot me a message and we can work something out.

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Filmborn Instagram Takeover!

Over the past few days, I’ve been involved in the Stocksy United beta-test of the upcoming iOS photo/editing app, Filmborn (see my previous post for some background information). In short: I love it. Below are some samples. All of these were shot on my iPhone 6 and edited exclusively with Filmborn. No other apps or filters of any kind were used to modify these images.

Follow my Instagram feed for more samples over the coming days and weeks.

FILMBORN: What I'm Hoping For

Let me preface this post by saying I have zero insider knowledge, and as of the time of writing, I have not seen the app. (Full disclosure: Just this afternoon I received an invitation to be a part of the Stocksy Filmborn beta test, but I have not yet been granted access to the app.) I have seen a few examples from those did get early access and from promotional emails, but I currently have no information as to the interface itself. I'm simply a photographer with high hopes.

In case you’re unaware, Filmborn is the upcoming iPhone photo-editing app from the creators of Mastin Labs. For someone like me who shoots a lot of film and only occasionally dips into digital, Mastin Labs has been an ideal solution to achieving a consistent look across a collection that includes a mix of both film and digital images. My favorite part about Mastin Labs (aside from the stellar results) is that it’s straightforward and doesn’t require dozens upon dozens of decisions to reach a desired look. You choose the brand of camera you’re using, the film manufacturer you want to emulate (Ilford, Kodak, or Fujifilm), and the desired film stock. From there, it’s just a matter of tweaking.

With Filmborn expected to drop this fall, I'm hoping for this same level of simplicity and elegance.

Arguably, the current top dog in the iPhone film emulation category is VSCOCam, and while this app started out very strong, it has become more and more of an unwieldy mess with every update. I don't mean to knock VSCO—from what I know of them, I believe they are a good company with admirable goals in terms of providing useful products to photographers—but I do not agree with the decisions they've made with their iPhone app. What started off as a useful tool for photo editing seems to have gone off the rails, as every update continues to bloat the app with features encouraging users to join yet another social networking community (chasing Instagram, at least ostensibly), becoming less user-friendly and less elegant in the process.

I've written before about the paradox of choice, and this is a perfect example of something that has become so gargantuan it paralyzes users with too many options. Ignoring the social networking portion of VSCOCam, the sheer quantity of presets is overwhelming.

Sure, you don’t have to get all the presets, but for those who even approach doing so, how do you choose between all of those options? Assuming you have some idea of a direction you want to go, unless you are a heavy user, you’re likely to find yourself clicking on every single preset to see what it looks like. This issue is compounded by the fact that the names of the presets give no indication of the result, and there’s no easy way to find a description of what kind of film each particular preset is even aiming to emulate. So, for example, if you’re going for a look similar to that of Kodak Portra—one of the most popular color films on the market today—you won’t find a Kodak Portra preset. You’ll have to poke through all the color presets to find something you think looks close enough.

It’s nice to want to have every option for every possible user and scenario, but there’s a lot to be said for doing just a few things and doing them very well. It’s an all-night diner menu vs. Five Guys Burgers and Fries—the former is overwhelming at best (and a total nightmare for the indecisive); the latter has their menu built-in to their name!

Maybe I'll be disappointed when I finally get to use Filmborn. I'm prepared for that possibility. But I also see room in the market for an app like the one I've described, and I think it's reasonable to conclude that Kirk Mastin and crew may have created it. If the Mastin Labs Lightroom presets are any indication, Filmborn may very well be the minimalist alternative to VSCOCam: An iPhone app for those of us who want a clean, intuitive interface that allows users to make editing decisions quickly and then execute them, and finally share our photos directly from the app. Simple, straightforward, and elegant.

If this app interests you, I encourage you to sign up here for the Filmborn launch.

Leica M2 - Replacing the Leather

As I mentioned in my previous post, I recently bought a used Leica M2. This camera arrived unexpectedly missing a chunk of vulcanite, and the majority of what was still on the camera appeared to be very brittle. I knew that this was merely cosmetic, so while I was dismayed, I wasn't too upset about it. After confirming that the camera was functional (again, see my previous post), I set out to give the camera a bit of a facelift.

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Leica M2 - Test Roll: Johns Hopkins University, Baltimore

Living in Baltimore, it's easy to take for granted that one of the more prestigious schools in the world is just down the road. My wife and I have been visiting a family member in the hospital in the vicinity of the JHU campus, so we've been taking a lot of walks around the area. As an unusually timid Spring peeked its head around from behind a stubborn Winter, it seemed like an ideal opportunity to shoot a test roll on my new (to me) Leica M2.

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A Digital Decision: Musings on the Fuji X-T1

Last week I made the decision to trade in all my older digital gear for a Fuji X-T1.

I'll admit, it was something of an impulsive decision. If you'd have told me on Monday that by Friday I'd be holding an X-T1 in my hands, I'd have been pretty surprised.

I had been eyeing the X-T1 for a while. Having owned the original Fuji X100 for 3 years, I was excited at the prospect of getting my hands on a slightly more robust and updated camera from the Fuji line. I won't go into the merits of the Fuji X series cameras here (as it's been done extensively), but suffice to say Fuji has hit nearly all the marks.

Still…

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