HERE’S THE THING ABOUT SHOOTING FILM.
For me—and I think this goes for many film shooters—it’s not so much about the results as it is about the process. It’s true: film is beautiful. The color, the grain, that indescribable “film look”—it’s not an easy thing to achieve in a digital setting. The internet can spend all the time in the world debating and comparing dynamic range and megapixels, but what it all really comes down to is a personal decision regarding the tools and media an artist chooses to work with. There’s no such thing as “better” in a vacuum; there’s only “what’s better for me.”
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